A Bridge Between Two Worlds
A musical journey uniting Europe and Brazil, two distant yet surprisingly close universes. The journey opens with alternating Chopin’s Preludes and Camargo Guarnieri’s Ponteios: short, lyrical, and concentrated forms that dialogue like mirrors across time and space. From the romantic delicacy of Schumann to the ritualistic and powerful universe of Brasílio Itiberê’s Suite litúrgica negra, the program leads us into soundscapes where the sacred meets the popular. Debussy’s impressionistic heart, with his Estampes, ideally intertwines with the Brazilian palette, paving the way for the vivacity of Gnattali, Tia Amélia, Nazareth, and Mesquita, in a crescendo that finds its synthesis in Villa-Lobos’s inexhaustible imagination. A bridge that represents a dialogue between two worlds that recognize themselves in the vital energy of music.
- C. Guarnieri
Ponteio n. 45 – n. 40 – n. 30 – n. 49
- F. Chopin
Preludio Op. 28 n. 7 – n. 3 – n. 8 – n. 15
- F. Schumann
Arabeske, Op. 18
- B. Itiberê
Suite litúrgica negra
- C. Debussy
Estampes
- R. Gnattali
Por quê?
- T. Amélia
Jaboatão
- E. Nazareth
Escorregando
- H.A. de Mesquita
Quadrilha Heróica
- H. Villa-Lobos
Brazilian Cycle
